I know that I am always bad mouthing Baton Rouge but here
is one good thing, Steve Soderbergh. Yes, the director of Traffic,
Erin Brockovich, Out
of Sight, and Sex, Lies
and Videotape was born and raised right here in Baton Rouge.
But apparently, he has seen a wider world since leaving town. I have never
heard so many discussions in a movie theatre, as well as cries of surprise,
as I heard here tonight while watching
Traffic. Actually,
despite the reaction of the local citizens, there isn't much new in the
content and plot of Traffic. But it is put together in such
a way as to make it a powerful and compelling story. To tell this
story of drug trafficking from Mexico, Soderbergh weaves together three
separate but connected subplots. Subplot #1 is set in Tijuana where
two local cops (Benicio Del Toro and Jacob Vargas) get involved in a war
between two drug cartels and a general (Tomas Milian). Subplot #2
is set in San Diego where the drugs from Mexico arrive. The main importer
(Steve Bauer) and his right-hand man (Miguel Ferrer) are arrested by a
couple of DEA agents (Don Cheadle and Luis Guzman) shattering the
life of the unsuspecting wife of the importer (Catherine Zeta-Jones).
Meanwhile, Subplot #3 is set in Cincinnati and Washington, DC where a Judge
(Michael Douglas) is named Drug Czar for the United States. As he
begins his fight against the drug trade, he discovers that his daughter
(Erika Christensen) is hooked on Cocaine and Heroin. The story constantly
revolves between the three subplots as they become more and more entwined.
You can tell which subplot you are in immediately because the Mexican footage
looks like it was shot with a super-8 camera through a yellow filter, and
the Cincinnati story is shot through a blue filter. Anyway, that's
how it looked to me. I guess that's why they refer to this film
as experimental. All of the subplots are ripped from the headlines
and they aren't even recent headlines. But it is very good and as we see
all the characters go into a bit of a death spiral, it makes this a difficult
film to watch. The cast is excellent and, in addition to those already
mentioned, watch for Amy Irving, Peter Riegert, Benjamin Bratt, Dennis
Quaid, Albert Finney and James Brolin. Several real politicians,
including Orrin Hatch and Barbara Boxer, make cameos as themselves adding
to the realistic style of Traffic. Among the cast, the standout
is definitely Del Toro. He is best known previously for a part in The
Usual Suspects but here he steals the film as an honest cop trying
to keep his head above water in the murky world of Tijuana. It was
also nice to see Miguel Ferrer who is the son of Mel Ferrer and Rosemary
Clooney which makes him George Clooney's cousin. I have loved him since
I saw him on Twin Peaks.
Zeta-Jones is excellent as the wife who puts her life back together by
becoming a drug kingpin and so is Christensen as the drug-addled daughter
of Douglas. Douglas, himself, is a bit too histrionic in his role
as the Drug Czar. My only complaint is that everything is a bit predictable
and you can see every plot development a mile away. But it's definitely
different and worth seeing just for Del Toro's performance.