Forget Charlie's
Angels! For great role models, take your daughters to see some real
girl-power in Crouching Tiger, Hidden Dragon. This is a film
where the female "heroes" are truly equal to the men and when they do fall
in love, the guys they choose are worth it. In this respect, the story
departs from what is otherwise a very traditional Chinese story. You will
think at times that you are watching an episode of The
Water Margin. Crouching Tiger, Hidden Dragon unites the
Hong Kong film heavyweights, Ang Lee, Chow Yun-Fat, Michelle Yeoh and Yuen
Wo-Ping. All have lately made Hollywood films and are known to North American
audiences. Ang Lee is the director of The
Wedding Banquet, Eat Drink
Man Woman,
Sense and Sensibility,
and
The Ice Storm. Yun-Fat
has been seen in Anna and the
King, and The Replacement
Killers. Yeoh was more than a match for James Bond in Tomorrow
Never Dies. Finally, Wo-Ping created the fight scenes in The
Matrix. The plot of Crouching Tiger, Hidden Dragon is
a bit convoluted but an ageing warrior hero (Yun-Fat) decides he wants
to slow down a bit and spend some quality time with the love of his life
(Yeoh) who is also a hero in her own right. So, he gives away his
famous sword only to have it stolen by an up-and-coming hero (Ziyi Zhang),
a young woman who wants adventure rather than the marriage her parents
are planning for her. She has already had a taste of adventure having
been kidnapped by, and then fallen in love with a dashing bandit (Chen
Chang). Yun-Fat decides that he must come out of retirement and with Yeoh's
help reclaim the sword. Also, in the mix is an evil warrior (Pei-Pei
Cheng), another woman, who is both Zhang's mentor and Yun-Fat's arch-enemy.
Crouching Tiger, Hidden Dragon is a beautiful film shot on location
in China. The cast is wonderful and nothing is lost by the fact that they
speak chinese with subtitles. For me, Yeoh stands out, showing great versatility,
as she expresses her unconsummated love for Yun-Fat in one scene then running
up a wall for some swordplay in the next. Yun-Fat is perfect as the
soulful hero. And newcomer, Zhang, holds up well against all this
star power. Cheng doesn't get to do as much but he looks very good
on a horse. The fight scenes, while just as amazing as The
Matrix, have a completely different style. The heroes fly gracefully,
Peter-Pan-like, through the air as they pursue each other. Unlike
Charlie's Angels which aped
The Matrix fights, Wo-Ping
goes in a whole different direction creating scenes that are unlike anything
I've seen before. In one amazing scene, Yun-Fat and Zhang fight while
perched on the topmost swaying branches of trees in a forest. The only
thing I felt missing from the film was the back story of Yun-Fat and Yeoh.
We are treated to a long segment on how Zhang and Cheng meet and fall in
love, but Yun-Fat and Yeoh's history remains a bit mysterious. Together,
the direction, acting, cinematography, special effects and even the subtitle
writing all combine to form a wonderful film. Lee has shown that
he can make almost any kind of film and make it very well. This one is
fun to watch.